Drawing in Design: a lecture and workshop series

Drawing is a means of thinking and conversing. Since 2016 the Department of Landscape Architecture, in collaboration with our professional partners, has convened a quarterly series of public lectures and weekend workshops for students that focus on representation in design.

“Drawing is a language that expands and enhances our visions for the future of our landscapes and as such calls for a robust and rigorous investigation and exploration.”

Thaisa Way, Professor of Landscape Architecture and Drawing in Design project leader

These public lectures and student workshops pose questions and facilitate a dialogue around how we draw, what we draw and how we read drawings. Each session informs design as process and development and shapes how our communities understand and respond to design ideas and visions.

Fall 2019 Workshop details

Drawing Workshop with Mia Rosenthal. November 8-10, 2019. (1 credit) As always, it begins with a public lecture on Friday, 5:00 PM. The workshop goes through Sunday at 2pm.

APPLICATIONS NOW OPEN  with a DEADLINE: October 10, 2019 5:00 pm

Apply here: https://catalyst.uw.edu/webq/survey/tway/345707

You will be notified if you are accepted into the workshop by October 16 2019.

Earth, sky, present, past
Mia Rosenthal, www.miaonpaper.com, Philadelphia

The drawings of Philadelphia-based artist Mia Rosenthal invoke a long human history of rendering the world by hand. Focusing on cosmology, time, discovery, invention, and the intersection of the natural and man-made world, Rosenthal’s works are grounded in a fundamental human experience that dates back some 30,000 years: observing, processing information, and then picking up a tool to draw it in one’s own hand, with one’s own voice. Fascinated by and drawing from the real world, Rosenthal connects us to this flow of time and experience, going beyond mere duplication to explore, learn, select, organize, and build with mark making. Earth, sky, present, past features new and recent works.

For questions, please write Thaisa Way, tway@uw.edu

Past Lectures

See. Process. Make.
Janelle Johnson, Omni  Ecosystem, Chicago

Janelle Johnson hails from Champaign, IL and earned her Bachelor of Science in Landscape Architecture from Purdue University with Distinction, before going on to the University of Pennsylvania, where she received her Master of Landscape Architecture and Certificate in Historic Preservation. Janelle has 10 years of experience in site planning and design. She spoke at the University of Washington campus in Seattle on April 5, 2019, presenting a talk titled “See. Process. Make.”


Design Thinking – Utilizing Hand Graphics to Explore Ideas
Kona Gray, EDSA

Kona Gray is a Principal at EDSA. Due to inclement weather, we were forced to cancel this lecture. However, Kona Gray did lead a student workshop and gave a presentation at the Seattle offices of GGN in March 2019. Watch the presentation here. You can see  You can read about Kona’s work in this piece from Medium: Design Manifestos: Kona Gray of EDSA.


Graphic Design and the Third Dimension
Michael Bierut, Pentagram

Michael Bierut is a partner in Pentagram (New York), teacher at Yale School of Art and Yale School of Management, and author of Now You See It and Other Essays on Design. He spoke at the University of Washington campus in Seattle on October 5, 2018, presenting a talk titled “Graphic Design and the Third Dimension.”


Drawing is the Entrance of Thought
Ron Henderson, L+A Architecture

Ron Henderson is a landscape architect and the director of the Landscape Architecture + Urbanism program and professor at IIT in Chicago. He practices through his studio, L+A Architecture. He spoke at the University of Washington campus in Seattle on April 6, 2018, presenting a talk titled “Drawing is the Entrance of Thought.”


Drawing Zoom
Alma Du Solier, Hood Design

Alma Du Solier is a landscape designer and architect with twenty years of experience in the practice of design. She is currently the Studio Director at Hood Design in Oakland, California. She spoke at the University of Washington campus in Seattle on January 19, 2018, presenting a talk titled “Drawing Zoom.”

Drawing What You Can’t See
Shannon Nichol, Keith McPeters, David Malda, GGN

Gustafson Guthrie Nichol (GGN) is a Seattle-based landscape architecture that received the Firm of the Year distinction from the American Society of Landscape Architects in 2017. Three GGN designers spoke at the University of Washington campus in Seattle on November 17, 2017. Shannon Nichol, Keith McPeters, and David Malda all presented a talk titled “Drawing What You Can’t See.”


Drawing as Speculation
Teresa Galí-Izard, ARQUITECTURA AGRONOMIA

Teresa Galí-Izard is a principal of the landscape architecture firm ARQUITECTURA AGRONOMIA. She is also an associate professor and chair of the Department of Landscape Architecture at the University of Virginia. She spoke at the University of Washington campus in Seattle on April 28, 2017.


Drawing Pictures In Your Mind
Alan Maskin, Olson Kundig

In February 2017, the department hosted Alan Maskin ’88 and his associates from Olson Kundig. With Maskin, the students learned to draw what they imagine. Students from landscape architecture, architecture, real estate, urban planning, and construction management heard about Maskin’s approaches to drawing and design. Maskin emphasized the influence and legacy of Emeritus Professor Frank Ching on his work. Students spent time on specific drawing exercises and gradually shifted to the grand landscape of the imagination including reimagining downtown Seattle. In teams, the students created three vibrant murals of a possible future for green and blue Seattle.


Drawing What You See
Michael Vergason, Michael Vergason Landscape Architects

Michael Vergason’s workshop  focused on drawing what the artist sees. Vergason shared with students his drawing history and journey to find inspiration. Landscape students spent the weekend using Japanese format notebooks with accordion pages, to draw trees, bridges, and courtyards. They explored historic sites through drawing through plans, sections, and perspectives.